Kobayashi said only after I actually joined the project of “7”. Kobayashi told me “In development of ACE COMBAT, even though all sound data is ready, the process after that is long.” I had provided assets to the project before, but I understood what Mr. I also could improve myself through this series, so I really wanted young people such as Mr.
#ACE COMABT 7 SCREENSHOT EDITOR SERIES#
Watanabe: I believe this series has trained many creators and produced great people.Some groups achieved 150% of results for their number of people. I felt like it was a synergy effect of everyone’s various activities in different fields. Tago: Now each creator’s activities cover a wider range, so the performance cannot be calculated by simply multiplying the number of creators.Barriers between job categories has gone, I think. Kanno: Oh, yeah, I was so surprised the other day! When I went to see a voice actor who was in charge of radio dialogs, she, herself, was using an effect editor! I recognized that now each of us can adjust such a technical thing by ourselves.I feel like everyone who can use Unreal® Engine started to work as a creator transcending a job category. Itomi’s story about sound editing he talked now. It became possible to test many patterns and I think it’s really cool. But after Unreal® Engine was introduced, I became able to edit the game visual such as UI by myself without bothering the Art team. I have been involved in game development only as a programmer, just writing source codes. Developed by NAMCO (Current BANDAI NAMCO Entertainment) The Arcade Game which was released in 1995. Then it was October when we had completed development, I guess. Yamamoto and I made a schedule so that we could perform several iterations. But when it comes to VR, no one knows if it’s fun or not until you actually play it. You can rely on me.” His intense eyes were so impressive and I instantly felt “We already have capable members for creating the VR mode!” In the beginning, BNSS had been developing the VR mode and we were planning to utilize what they made. He said, “I’m confident of sound direction. Yamamoto, who used to develop SUMMER LESSON, has joined our team this time.Īs for VR sound, I still remember when I consulted with Mr. In addition, a skilled engineer in VR like Mr. Tago: Well, I’m familiar with air combat game because I had a chance to develop AIR COMBAT 22 (*1), and also, I have knowledge of VR because I had developed MOBILE SUIT GUNDAM – Senjo no Kizuna.
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